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DC Field | Value | Language |
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dc.contributor.author | Павельчук, Іванна Андріївна | - |
dc.contributor.author | Pavelchuk, Ivanna | - |
dc.contributor.author | Barna, Nataliia | - |
dc.contributor.author | Smyrna, Smyrna | - |
dc.contributor.author | Lehenkiy, Yurii | - |
dc.contributor.author | Stefiuk, Roman | - |
dc.contributor.author | Yaroshovets, Tetyana | - |
dc.date.accessioned | 2021-07-27T07:38:45Z | - |
dc.date.available | 2021-07-27T07:38:45Z | - |
dc.date.issued | 2021 | - |
dc.identifier.citation | Pavelchuk I. Environmental-constructional foundations: humanitarian and art education in Ukraine // Nataliia Barna, Lesia Smyrna, Yurii Lehenkiy, Roman Stefiuk, Tetyana Yaroshovets, Ivanna Pavelchuk / AD ALTA : Journal of Interdisciplinary Research. 2021. Vol. 11, Issue 1 [Special issue XVIII.]. P. 134–137. | uk_UA |
dc.identifier.uri | https://er.nau.edu.ua/handle/NAU/52225 | - |
dc.description | Batishchev, G.S. (1991). Korni i plody. Nashe naslediye, 5, 1–4. Danko‐McGhee, K. & Slutsky, R. (2007). The impact of early art experiences on literacy development. National Art Education Association. Danko‐McGhee, K. (2000). The aesthetic preferences of young children. Mellen Press. Dzhons, Dzh.K. (1976). Inzhenernoye i khudozhestvennoye konstruirovaniye. Moscow: Mir, 369. Ewing, R. (2013). Creative arts in the lives of young children: Play, imagination and learning. ACER Press. Fuko, M. (1994). Slova i veshchi: Arkheologiya gumanitarnykh nauk. Sankt-Peterburg: A-sad, 407. Hösli, E. & Wanzenried, P. (2017). Education on the edge: Acts of balance. In E.G. Levine & S.K. Levine (Eds.). New developments in expressive arts therapy: The play of poiesis, 184–193. Il‘yenkov, E.V. (1991). Filosofiya i kul‘tura. Moscow: Politizdat, 464. Knill, P.J. (2005). Foundations for a theory of practice. In P. J. Knill, E. G. Levine, & S. K. Levine (Eds.). Principles and practice of expressive arts therapy: Toward a therapeutic aesthetics, 75–170. Levine, S.K. (2017). Preface. In E. G. Levine & S. K. Levine (Eds.). New developments in expressive arts therapy: The play of poiesis, 9–15. Likhachyov, D.S. (1985). E`kologiya kul`tury. Proshloe – budushhemu: Stat`i i ocherki. Leningrad: Nauka, 49–63. Moren, E. (2005). Metod ‘Priroda Prirody’. Moscow: Progress-Traditsiya, 464. National Art Education Association. (2020). Tips for teaching visual arts and design in a distance ‐learning environment. In Remote learning toolkit. Available at: www.arteducators.org/learn-tools/remote-learning-toolkit. National Association for the Education of Young Children. (2019). NAEYC Early Learning Program Accreditation Standards and Assessment Items. Available at: www.naeyc.o rg/sites/default/files/globally-shared/downloads/PDFs/accred itation/early-learning/standards_assessment_2019.pdf. Pearson, M. & Wilson, H. (2009). Using expressive arts to work with mind, body and emotions: Theory and practice. Jessica Kingsley. Stewart, C. (2019). The dangerous power of art education. Art Education, 72(6), 25–26. Uznadze, D.N. (1966). Psikhologicheskiye issledovaniya. Moscow: Nauka, 451. Volkov, N.N. (1977). Kompozitsiya v zhivopisi. Moscow: Iskusstvo, 264. Vygotskiy, L.S. (1987). Psikhologiya iskusstva. Moscow: Pedagogika, 344. Wright, S. (2003). Children, meaning-making and the arts. Pearson Education Australia. | uk_UA |
dc.description.abstract | The article aims to determine the metaecological nature of the transformation problem of education in the humanitarian scientific, and artistic spheres of Ukraine. The research methodology consists of systemic and comparative approaches. The scientific novelty lies in revealing the features of the pedagogical process as systemic integrity in the context of the transformation of humanitarian and art education in Ukraine. The activities of the humanities (philosopher, sociologist, culturologist, cultural manager, artist, actor, designer, etc.) are synthetic and designmodel. In modern hyperinformational conditions and obtaining a higher education in the humanities and the field of art, the main thing is the student’s initial ability to have an artistic, even theatrically-expressive approach to scientific research and creativity, along with rational thinking, the creative reflection of what he saw and felt. Transformations of humanities and art education should be focused on preserving the value-expressive integrity of the person-creator. It can be achieved in pedagogical syncretism conditions, where all learning models are relevant because they are formed by different dominants – empirical, rational, reflective. | uk_UA |
dc.language.iso | en | uk_UA |
dc.publisher | National aviation university | uk_UA |
dc.subject | art | uk_UA |
dc.subject | culture | uk_UA |
dc.subject | design | uk_UA |
dc.subject | education | uk_UA |
dc.subject | humanitarian education | uk_UA |
dc.subject | pedagogical process | uk_UA |
dc.title | Environmental-constructional foundations: humanitarian and art education in Ukraine | uk_UA |
dc.type | Article | uk_UA |
Appears in Collections: | Статті кафедри комп'ютерних технологій дизайну і графіки |
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A_22.pdf | Стаття Web of Science | 230.51 kB | Adobe PDF | View/Open |
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